Analog, October 2005

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“Language Lessons,” by Amy Bechtel
“The Doctrine of Noncontact,” by Catherine Shaffer
“The Wrong Side of the Planet,” by Joe Schembrie
“Infinity’s Friend,” by Dave Creek
“Smiling Faces in Hog Heaven,” by Stephen L. Burns
“The Time Pit,” by Stephen Baxter
“Zero Tolerance,” by Richard A. Lovett
“Entropy’s Girlfriend,” by Robert J. Howe

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Talebones, #30, Summer 2005

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“Still Life With Boobs” by Anne Harris
“Treats” by Nina Kiriki Hoffman
“One Day, in the Middle of the Night” by James Van Pelt
“Take the Stairs” by Ray Vukcevich
“A Whole Man” by David J. Schwartz
“Mama’s Lightning Bugs” by Brian Scott Hiebert
“Ask Not For Whom” by Jason D. Wittman
“The Wooden Mother” by Michael Poore

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Is It Time for Two Best Editor Hugos?

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I believe it is way past time for this Hugo Award category to be expanded. I fully appreciate the reluctance of the WSFS to add another Hugo category, for their caution is well-founded. If it were easy to add or subtract Hugo categories, we might quickly see all sorts of small niche Hugo categories springing up all over the place. But in the case of the Best Editor Hugo, there is a real need for two separate categories.
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Analog, September 2005

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"Sanctuary" by Michael A. Burstein
"Search Engine" by Mary Rosenblum
"Take Me To Your Liederkranz" by Lawrence M. Schoen
"Breeding Maze" by Larry Niven
"The Speed of Understanding" by Carl Frederick
"The Best-Laid Plans" by Jerry Oltion
"Paradox & Greenblatt, Attorneys at Law" by Kevin J. Anderson
"Give Up the Ghost" by Grey Rollins
"Resonance" by Eric James Stone
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