Fantasy Magazine #6

Image"His Wife" by Bruce McAllister
"The Fish Girl" by Beth Adele Long
"Remembering Ophelia" by Alison Campbell-Wise
"The Girl with Blueberry Eyes" by Lisa Mantchev
"Seven Crooked Tinies" by Marly Youmans
"The Impossibility of Crows" by Catherine M. Morrison
"On the Day of My Detonation" by Stephanie Campisi
"The Boulder" by Lucy Kemnitzer
"Soft like a Rabbit" by Andrea Kail
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Apex Science Fiction & Horror Digest, Volume 1: Issue 8, Winter 2006

Image“Madness Blows on the Winds of History” by Tom Piccirilli
“Blood Baby” by Jennifer Pelland
“A Place of Snow Angels” by Matt Wallace
“Genesis Six” by Shane Jiraiya Cummings
“The Death Singer” by John B. Rosenman
“Mommy, Daddy, and Mollie” by William F. Nolan
“Last Chance Morning” by Timothy Waldron Semple
“Babble” by M.M. Buckner
“Temporal Spiders, Spatial Webs” by Lavie Tidhar
“Temple IV: Incarnations of Immortality” by Steven Savile
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Andromeda Spaceways Inflight Magazine, #26

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“Marie and the Mathematicians” by Matthew Kressel
“Chicken” by Steve Wylie
“Wildstyle” by John Bowker
“Lucky Tart” by Tansy Rayner Roberts
“’Dants” by Paul Hosek
“Aspies and Auties and Long-leggedy Beasties” by Alison Venugoban
“The Answer” by Michael Simon
“Obituary Boy” by Adam Browne and John Dixon
“And a Song in Her Hair” by Michael Merriam
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Analog Jan-Feb 2007 Nonfiction: “How to Write Something You Don’t Know Anything About” et al.

The January-February 2007 double issue of Analog contained three fact articles.  Two are by Richard A. Lovett, whose short story, "The Unrung Bells of the Marie Celeste," also appears in this issue.

The first piece is Lovett’s somewhat facetiously titled "How to Write Something You Don’t Know Anything About."   His concern here is how a writer should present speculative science and technology in their story.  In brief, Lovett suggests that a writer do their homework; figure out how much they and their readers need to know (not always the same thing); and then present that material as concisely as possible.  This is, of course, the kind of thing you would be advised to do in any writing course, but Lovett has a good eye for the application of these general principles to the problems involved in writing hard science fiction. 
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Analog, Jan-Feb. 2007 Double-Issue

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"Emerald River, Pearl Sky" by Rajnar Vajra
"Numerous Citations" by E. Mark Mitchell
"Super Gyro" by Grey Rollins
"Double Helix, Downward Gyre" by Carl Frederick
"The Face of Hate" by Stephen L. Burns
"Radical Acceptance" by David W. Goldman
"Exposure Therapy" by R. Emrys Gordon
"The Taste of Miracles" by Kristine Kathryn Rusch
"The Unrung Bells of the Marie Celeste" by Richard A. Lovett
"If Only We Knew" by Jerry Oltion
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Postscripts, #9, Winter 2006

Image“The End of the World Show” by David Barnett
“King of the Mountain” by Jack Dann
“The Unforbidden Playground” by John Grant
“The Interpretation of Dreams” by Tim Lees
“Kins” by Mary SanGiovanni
“Cobalt Blue” by Darren Speegle
“The Peace Criminal” by Vaughan Stranger
“High Noon in Clown Town” by Lavie Tidhar
“A Paean to Stranded Sailors and Ships Becalmed at Sea” by Mikal Trimm

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