Candy Matson (1949-1951) aired “The Eric Spaulding Concert” on February 7, 1950 as the 33rd of its estimated 92 shows (some accounts give 93 as the number, including a pilot that aired over a year later in hopes of sparking a revival that never took place). Candy Matson is a smart, self-sufficient, female detective. Everyone is familiar with all of the police or detective shows featuring a male detective, sleuth, or investigator (some in the superhero vein). There was The Saint, Sherlock Holmes, Nick Carter, Sam Spade, Philip Marlowe, Nero Wolfe, Jeff Regan (starring Jack Webb), Dragnet (again starring Jack Webb), Philo Vance, Johnny Dollar, The Green Hornet, The Shadow, and many, many others. One estimate runs to 120 OTR detective/police shows featuring a male lead. But not only were there Private Eyes on radio, there were Private Eyelashes as well, as early as the late 1930s and well into the 1940s (Kitty Keene, Carolyn Day-Detective, Miss Pinkerton, Meet Miss Sherlock, and Police Woman, to name a few). Though short lived (it never had a sponsor, advertisers were jumping on early television to promote their products), Candy Matson was one of the most popular radio shows west of the Mississipi and especially in San Francisco.
We have previously showcased but four of the 14 surviving Candy Matson episodes, the first back in March of 2017, two from 2018–August and December, and the last over a year ago in January of 2021. For those not familiar with those widely spaced episodes and the show’s interesting history (a female detective, a veiled gay character, etc.), I am reprising below (with minor alterations) from the original introductory notes:
Candy Matson was the brainchild of Monty Masters. Originally conceived as a private investigator program set in San Francisco with a male lead, Masters’ mother-in-law convinced him to feature a female private eye. Masters then turned to his wife Natalie Masters (the former Natalie Park, 1915-1986: photo at left, Monty and Natalie, May 1957) to play the lead role, for which her real life personality was made. Candy Matson lived life to its fullest. A former actress who gave it all up for the life of a private detective, she now resides in a penthouse atop San Francisco’s famed Telegraph Hill. Throughout various episodes we learn that she loves her furs, sunbathing on her patio, listening to 49ers football games while sipping martinis, and pretty much her overall luxurious lifestyle. She never compromises in deference to her sexuality, and is a much sought after investigator–-as her high-end fees can attest. About her love of cash, Candy quips that it is needed to keep the “moths out of a few mink coats.” Candy had two recurring supporting characters in her adventures, handsome police Lieutenant Ray Mallard (with whom she has more than a professional relationship as the series progresses and as his character becomes more suave and alluring with each episode), and her best friend Rembrandt Watson, a single, middle-aged, flamboyant fashion photographer who enjoys the opera. Even though San Francisco had the largest gay community of any American city after World War II, and the show was set in the City by the Bay, network radio in the 40s and 50s would not allow an openly gay character to appear on the air, but Masters’s scripts managed to suggest as much, and the actor who played Watson, Jack Thomas (stage name for Natalie’s real life uncle), added a slightly feminine air to his characterization as time went on. After listening to several of the 14 extant episodes, it is easy to understand the popularity of Candy Matson. Natalie Masters plays her perfectly: saucy, sexy, smart, hard as nails when need be, and unapologetic and fully embracing her chosen lifestyle. A woman for the ages it would seem and ahead of her time. Natalie Masters would go on to have roles in several films and numerous episodes of popular tv shows, several of which are shown below.
(Left: Dragnet, 1957 – Center: My Three Sons, 1964 – Right: The Addams Family, 1966–with Parley Bear, the voice of Chester on radio’s Gunsmoke and later as Mayor Stoner on tv’s The Andy Griffith Show.)
Dudley Manlove, the program’s announcer, is an enigma, for no one knows of his whereabouts or if he even still lives (doubtful). Little more is known of his wife, Patty Pritchard, though as of 2002 her voice could still be heard on a local San Francisco car dealer’s commercial. An interesting bit of trivia for genre fans is that Manlove played the alien named Eros from 1959’s Plan 9 from Outer Space (photo at left).
“The Eric Spaulding Concert” is (to dust off my alliterative abilities) a musical murder mystery. A famed symphony conductor has come to San Francisco while on tour. He needs to make a good impression on audiences to justify his claim to fame, but someone else has a different idea and has found a rather unique method of sabotaging each concert on the symphony’s itinerary. At a certain point in one of the classical compositions the entire orchestra hits a blaring wrong note, ruining the overall performance and making for a miserable time for the audience who has paid good money to see the maestro and his famed orchestra perform. News notices are negative, and if this string of failures continues the conductor will lose his patrons and worse, his reputation will be sullied to the point he will have to slink from the public spotlight, broke and in shame. Candy must figure out just how the wrong note keeps getting played and soon (it’s not due to the orchestra getting together to perform poorly and the score is checked before each performance), but the answer doesn’t come quickly. Along the way there is a murder to be solved as well (of course). So sit back and put your detective cap on and follow along with Candy as she struggles to solve the strange happenings during “The Eric Spaulding Concert.”
Play Time: 29:44
{This episode of Candy Matson aired on a Tuesday evening, which of course meant that the neighborhood gang could be found with their heads deep in several pulp magazines the next afternoon at the corner newsstand, eager for more detective and/or murder fare to fire their imaginations. Black Mask (1920-51) always proved a rewarding experience as it had become over the decades the unrivaled best detective magazine of all time. It was a bi-monthly in 1950. Dime Detective (1931-53) began its long career (274 issues) as a monthly but ended on a somewhat erratic schedule in its final three years (1951-53). New Detective (1941-55) began as a popular crime magazine with an emphasis on police detectives while featuring some of the genre’s most popular authors. It folded in June of 1955 and was relaunched in September of 1955 as the men’s magazine True Adventures. New Detective was a bi-monthly in 1950.}
[Left: Black Mask, Mar. 1950 – Center: Dime Detective, Feb. 1950 – Right: New Detective, Jan. 1950]
To view the entire list of weekly Old Time Radio episodes at Tangent Online, click here.